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Xabier Salaberria

Xabier Salaberria works with various artistic media, such as installation, photography, graphic design and exhibition architecture. He explores the processes of formalisation, as well as the potential of these media to become something else, given their changing material, ideological and institutional context. Vacillating between being sign and material, art and something other than art, his works open themselves to contemplation as displaced or even uncompromising objects and situations. A kind of vanishing point from what they normally are and from the norms they defend, they question their time and their place in history. Salaberria speaks of a process of ‘denaturalisation of sculpture’.

Xabier Salaberria (Donostia-San Sebastián, 1969) lives and works in Donostia-San Sebastián. His training period is linked to the Arteleku Art Centre, where he took part in workshops such as those given by Txomin Badiola and Ángel Bados or Pello Irazu. He has participated in various residency programmes such as (JAI) Jarduera Artistikoen Institua (Institute for Artistic Activities); Artium Museoa (Gasteiz) in 2021; SOMA. Mexico City in 2017; Viafarini, Milan in 2010; HIAP, Helsinki in 2008; ACC, Weimar in 2007; ROSEUM. Center for Contemporary Art, Malmö in 2005. His most recent exhibitions include: Infrastructure, curated by Catalina Lozano, CA2M Madrid (2023); An exhibition without Architecture, Museo Artium Gasteiz (2021); Winning by Losing. Centro Centro, Madrid (2019); Restosmateriales, obstáculos y herramientas. 32nd Sao Paulo Biennial (2016); Process and Method (A.T.M.O.T.W.)Xabier Salaberria. Guggenheim Bilbao (2013); The Society Without Qualities. Tensta Konsthall. Stockholm (2013) and Inkontziente-Kontziente (Scenario1 about Europe). GFZK, Leipzig 2011.

↓ Full CV

Installations

32nd Bienal de São Paulo, 2016. Brazil

"Infraestructure", 2023 (curated by Catalina Lozano). CA2M, Madrid

"Infraestructura", 2023 (curated by Catalina Lozano). CA2M Madrid

Xabier Salaberria. Una exposición sin arquitectura, 2021. Vista de la exposición. Fotografía © Gert Voor in't Holt

"Cold Front FKV", 2006 (curated by Chus Martínez). Frankfurter Kunstverein, Frankfurt and U-TURN Copenhage, DK.

"Process and Method", 2014. Guggenheim Bilbao

"r de radio", 2020. CarrerasMugica, Bilbao

"r de radio", 2020. CarrerasMugica, Bilbao

"Debacle", 2019. MACBA Barcelona

"can-ni-faire", 2016. CarrerasMugica, Bilbao

"Untitled", 2007. CarrerasMugica, Bilbao

"Inconsciente", 2011. CarrerasMuigca, Bilbao

Selected artworks

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LÍNEA DE INESTABILIDAD

2026

Stone, wood and plaster

Variable measures

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DISOLVER LA ESCULTURA

2024

Corten steel and wooden structure

305 x 80 x 160 cm

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UNTITLED. ‘CHAIRS ARE STATE SPIES’ (J. DURHAM).

2025

Photography

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LÍNEA DE INESTABILIDAD (detail)

2026

Stone, wood and plaster

Variable measures

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A.T.M.O.T.W

2013

Folded and perforated metal sheet

145 x 45 x 45 cm

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FRISOA. Oteiza Museum, Alzuza. Fotografía © Mikel Eskauriaza

2022

Steel, aluminium, wood

490 x 135 x 10 cm

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INKONTZIENTE/KONTZIENTE

2011

Painted iron, wood, photography

Variable dimension

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BEZIER 3

2020

Laser cut aluminium sheet

150 x 100 x 0,4 cm

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R DE RADIO

2020

Painted steel, glass

4 elements (150 x 110 x 99 cm). Variable dimension

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BURMESTER 2

2020

Aluminium, glass, adhesive pattern

78 x 68 x 4 cm

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LP

2020

Aluminium, glass, adhesive pattern

155 x 115 x 5 cm

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URRUTITXO (DE LA SERIE TIPOS)

2019

Photography, chemically developed

55 x 65 cm

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ROTURA (DE LA SERIE TIPOS)

2019

Photography, chemically developed

50 x 60 cm

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SIN TÍTULO (ATTITUDE)

2008

B&W offset

100 x 70 cm

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PART II OF AN UNBUILT PROJECT

2007

Pine plywood and lag screws

500 x 184,8 x 40 cm

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FISAC / VIRILIO (CAUSA)

2016

Latón mecanizado

3 elements 25 x 6 x 5 cm each

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PASAIA

2010

Photography

96 x 126 cm